Tonight was First Thursday at the Seattle Art Museum (a.k.a. SAM) and since M & I had been planning to go see their Alexander Calder exhibit, it seemed like the perfect excuse to go. (The only thing better than art is free art… ) I caught the bus from work to meet M & T who drove over together. While I was waiting, I snapped a picture of these cool car sculptures they had hanging over the lobby:

On the same floor as our Calder exhibit, there was a Michelangelo exhibit. The ticket taker helpfully informed us of what rooms contained which artist. I found this amusing because it’s hard to imagine two artists that would be easier to tell apart, but whatever. I also loved the sign above the entrance, which I tried to photograph (and promptly learned there was no photography of any kind) so you’ll have to settle for this “artsy” one:

(A quick rant here: I understand why photography isn’t allowed for some artists/exhibits – i.e. watercolors, older works, etc. where even the 10% of flashes that go off would definitely damage the work, but metal sculpture? Really? I love photographing works to inspire me later, so it was most annoying not to be able to take NON-FLASH pictures. GRRRRRR!!!)
Anyhoo, the Calder exhibit was wonderful. I wished it was twice as big, but wonderful nonetheless. It was fun to watch people watch his sculptures. Everyone just sort of slows down in the presence of a giant floating mobile. It’s awesome. Particularly enjoyable was a little baby who was mesmerized and stared at the sculptures, completely enraptured. They had a nice range of his work and displayed them really well – a number of pieces had strong front lighting that would cast shadows onto the floor and wall behind the piece, which really added to their impact. Two thumbs up, even with the large crowds.
Less wonderful and far more head-scratch inducing was the Michelangelo exhibit. According to the bus ads and billboards around town, it was supposed to be an exhibit highlighting 12 extant sketches that the artist had intended to destroy. Unfortunately, these particularly sketches really should have been destroyed or at the very least not had an exhibit built around them. They were basically drawings of a hand/a foot/a femur of a minor figure in the far upper left hand corner of a panel on the Sistene chapel. But the best part was to pad the exhibit, they had these completely random/vaguely Michelangelo-related objects. For example, an entire room of pictures and pieces of the house his great-grandnephew remodeled 100 years after the artists death. (???!!!)
My favorite was a model of the cart they used to move David into the Academia, complete with scale model of David in the cart (and next to a large poster of David, lest you not realize that’s just a model… ) The little plaque accompanying the cart was written in the craziest style I’ve ever seen. Allow me to paraphrase: “Here we see a scale model of the cart that was used to move the statue of David from the Pitti Palace to the Academia. How did they get the statue into the cart? (Using ropes and pulleys) Was it heavy? (Yes, it took a long time) What is the statue made of? (Marble quarried from NameOfPlace) Wasn’t that dangerous? (Yes, many people were killed or maimed.)” and so on… The whole thing reminded me of one of those weird museums they have in small towns where something of interest happened or someone famous lived once upon a time.
We also wandered around the contemporary pieces and saw an exhibit of Imogen Cunningham’s photography, which was cool — especially since she’s one of M’s favorite photographers. I was really sad I couldn’t take pictures of the contemporary work, since there were a few awesome pieces (awesome in their hilarious absurdity for the most part… ) So, I scoured the internet and found my two favorites. First up is an unfortunately tiny picture of Jeff Koons’ St. John the Baptist:

For those who aren’t up on their art history, this is a gaudy gold-plated ceramic statue based on Leonardo Da Vinci’s painting:
(Photo courtesy of Wikipedia)
(No, I have no idea why the Koons’ statue is holding a pig and a penguin. I’m sure there’s a reason… ) My other favorite was surreptitiously photographed by someone on Flickr and is Maus and Mann by Katharina Fritsch:

(Yes, that’s a giant mouse/rat on top of a pillow and a mannequin… ) Behind this piece was this amazing robe made out of thousands of military dog tags, but I remember neither the artist nor the name, so you’ll have to visit the museum to check that out for yourself. Or maybe google “Giant robe made of dog tags.” That might be fun regardless…
Afterward, we headed for the exit. While we were waiting for the elevator, I snapped this cute picture of T:

And this little detail of the mural above the elevator (words to live by, no?):

Filled with cultury goodness, we headed over to J’s office to pick him up and then over to Brouwers for some beer and moule-frites. MMMMMMM! Good food, lots of laughing with friends. Not bad for a Thursday!





































































